Audio branding is like the icing on the cake. It provides an amazing, rich and memorable tone to your brand identity. Sound can stop you in your tracks and quickly engage you like no other sense can. Music and sounds can trigger memories and emotions. To test your audio branding knowledge, we have created a quiz. Listen to 7 different unique sounds and see if you can identify the brands.
Most retailers already leverage music as a selling tool in stores. In building a brand, the use of sound is underestimated. Few brands are strategically using music, sound and voice to create a magical brand connection.
The Beginning of Audio Branding
Before television, radio was the darling for reaching consumers. I have been told by those who still remember that radio was the entertainment center in households. Entire families would huddle around the radio to listen to broadcasts sponsored by a brand. Well before the trend of radio advertising. Generals Mills aired the first singing commercial back in 1926 entitled “Have you tried Wheaties?” It was an instant success and made Wheaties a national brand.
The art of building brands through jingles reached a peak during the economic boom of the 1950s. Many product categories jumped onto the trend such as breakfast cereals, candy, snacks, pop, tobacco, beer, automobiles, personal hygiene products, household products and especially detergent, advertising jingles were often used. Like the epic musical films, branding jingles lost their appeal by the 1960s. Any Boomer can recite several advertising jingles as they sit dormant in their brains like “Oh, I wish I were an Oscar Mayer Wiener,” “Ai, Yi, Yi, Yi, I am the Frito Bandito,” and “I’d like to buy the world a Coke.”
To be a memorable and enduring jingle Linda Kaplan Thaler, Chairman of Publicis Kaplan Thaler advertising agency, say, “[a jingle] have huge sticking power. A jingle is not successful if you listen to it once and liked it. You have to listen to it and want to sing it. Essentially, you become the advertiser for the brand.” She also thinks today is a perfect time to build a brand through a jingle due to the many social channels to share it on. While Martin Puris, past Chairman and CEO of Ammirati & Puris, thinks jingles are passé. “In a marketing wary world, a jingle seems oddly out of place. Too slick, too contrived.”
Singing a brand message is a beautiful thing.
Big Bold Sounds
“Master of suspense” filmmaker Alfred Hitchcock understood the importance of sound in telling a story. He said, “When we tell a story in cinema, we should resort to dialogue only when it’s impossible to do otherwise.” He was brilliant at manipulating his audience’s emotions by using sound design to enhance the situation. Remember his movie, The Birds (1963). He used a combination of real bird sounds and electronically synthesized noises, creating an auditory assault that brought the vicious bird attacks to life.
Great sound design is fully appreciated through good quality sound systems and speakers. Since the 1960s, we saw significant innovations concerning sound systems, from the bulky multiunit stereo systems and the iconic boombox to putting our entire music library into our pocket with the iPod. Add a set of good quality headphones, and you are in another world.
Audio Branding – Music
Eric Sheinkop, co-author of Hit Brands: How Music Builds Value for the World’s Smartest Brands, says, “Music brings value to a brand in three ways: identity, engagement, currency. Specifically, using music to establish an emotional connection with a brand increases brand recognition, creates excitement and buzz beyond the brand’s core products or services and can empower consumers, giving them valuable content to discover and share. Music creates the value that brands need to win the war for attention and develop a genuine connection with their consumers. When used correctly, music not only creates loyalty but true advocacy.”
Music has played an essential role in brand building for automotive and aviation brands, where it is all about the emotional state. Music is a universal language that crosses all borders of culture, nationality and languages. It is a personal connection to the brand. Yet, most brands tend to use sound and music to be campaign-oriented, not brand-oriented. Here is an example of a campaign-oriented advertisement by Honda featuring a 60-person choir who were the sole audio track. There isn’t any car sound that they can’t sing.
United Airlines took the brand-oriented approach using music as a key brand element. Since 1976, United has used the familiar George Gershwin’s tune Rhapsody in Blue as a foundation for their brand. The music is played in its television advertisements, airport terminals, and pre-flight announcements. United Airlines uses this piece of music to strategically create a distinct audio identity that expresses its vales at all necessary customer touchpoints. Have you ever watched someone bring on a musical instrument onto a plane? How about the entire London Symphony Orchestra.
Their onboard safety video creatively incorporates the distinctive rhapsody in blue music in various interpretations to emphasize each cultural destinations – brilliant.
Audio Branding – Sonic Logo
The sonic logo is linking your brand logo with a distinct and unique sound that becomes synonymous with the brand identity. The key is using it everywhere the brand is communicated. It takes years of reach and frequency to link a sound firmly to the brand. But, once it occurs, it becomes timeless like NBC’s three-tone chimes, Intel’s five-note bong, and THX Sound System’s deep note.Kevin Perlmutter’s brand strategist and a blogger explain that because sound bypasses the rational part of the brain and reaches the most intuitive level, sound can be the fastest way to heighten brand engagement. Therefore, a brand identity is incomplete without utilizing a sound or music to help develop an emotional connection even if your brand is an unemotional computer chip. You have a better chance to position a brand into the customer’s mind if you use a multisensory approach.
Audio Branding – Product Sound
Some product brands have their very own sounds that can help differentiate themselves from the competition. Kellogg’s Rice Krispies “Snap, Crackle, Pop,” Alka-Seltzer’s “Plop, Plop, Fizz, Fizz,” Snapple’s “Pop” when opened, Dyson’s unique vacuum sound, Infiniti’s engine sound (check out the ten most distinctive sounding cars) and the “scritch-scratch” sound of a Sharpie marker on paper. The sound of your product can be as unique as its look, feel and smell. Rachael Pink, an acoustic engineer at Dyson, says, “People now expect products to sound good—not just sound quiet, but have a nice quality.”
Frit-Lay, part of PespiCo Inc., introduced a compostable chip bag for its SunChips brand to become more environmentally friendly. Therefore, as a result, the bag became noisy changing the customer experience so drastically sales fell, and consumers complained about the sound. Frito-Lay went back to the old bag. Don’t underestimate the customer’s relationship with your brand and product sound.
Hearing is Believing
Today, visual branding remains the focus of many marketers and branding experts. Even with the increased number of touchpoints (like TV, radio, website, mobile apps, voice assistants, social channels, in-store displays, voice messages, events and in-store), you can’t rely solely on visuals. The trend is towards digital channels (social media, bloggers, podcasts, voice assistants, video) for brands to communicate.
Well, digital has many channels to reach the consumer; it can lack personality and emotional attachment. Supporting this conclusion, Kevin Perlmutter says, “The strategic use of music and sound can dramatically improve a digital interaction by placing a brand’s unique identity and personality front and center to provide clear navigation with proprietary sounds that are simultaneously functional and emotional.”
In our chaotic and over-stimulated communications world, brands need to engage all senses to create a powerful emotional impact that transforms brand experiences. Audio branding could be the magic your brand needs to be believed. Start turning up the volume.
The colour pink is a striking and controversial colour, full of meaning and emotions. Dr. Veronika Koller, a professor and researcher at Lancaster University who studied how people interpret the colour pink, says that pink contains more interpretations than any other colour. This article is a respectful summation of this revolutionary colour. If history has anything to tell us, the pink colour branding has a lot of opportunities left in it in the world of branding.
The Colour Pink
Christina Olsen, director of the University of Michigan, Museum of Art, says the colour pink isn’t part of the electromagnetic spectrum, which means we don’t see actual wavelengths. Pink light is “an extra–spectral color, which means other colors must be mixed to generate it.” The primary two colours to make pink are red and white, but it is yellow and blue tones that form a broad spectrum of pink hues. Wikipedia has identified over 46 notable shades of the colour pink (blue has over 73). In the ranking of fashionable colours, pink is number four behind blue, black and grey.
Alice Bucknell, in her article A Brief History of the Color Pink explains pink has been a spectacular contradiction for masculinity and femininity. In Japan, the colour pink represents masculinity honouring slain Samurais, whereas western cultures popularized pink in the eighteen-century fashion scene within the pastel-loving bourgeoisie. The art world brought pink to the forefront, starting with the French Impressionists and Neo-Impressionist movements (such as Claude Monet’s lilies and Edgar Degas’s dancers). In the 1960s, pop art took pink to the next level with artists like Andy Warhol (with his famous Marilyn Monroe). From there, we saw the pink move towards a vibrant neon-soaked 90s, to finally to a subdued Millennial pink that speaks to a more emotionally connected and tolerant society.
Pink is known as a cheerful colour. Think about cotton candy and bubble-gum— pure delights.
The psychology of the colour pink is firmly rooted in the perception that pink is a feminine colour that connotes nurture, care, calmness, romance and hope. Marketing has played a role in portraying pink as a “girly” colour.
Intensify the colour to hot vibrant pink, and the psychological properties shift the tonality to youthful, energetic, sexy and fun. The range of moods and feeling pink can portray vast and can quickly define gender or personality.
T-Mobile uses hot pink (magenta) to help differentiate their brand from the big competitors (AT&T and Verizon) and set an irreverent brand tone. In 2012, John Legere joined T-Mobile as CEO, who created a new brand around the colour of pink, transforming the company to be more energetic, youthful and hip. He must have done more than introduce hot pink to successfully motivate his employees to wear their shocking magenta uniforms every-day proudly. This brand transformation has been a large part of T-Mobile’s successful turnaround from a $29 billion in sales and -$6 billion revenue loss to, today, a $51 billion in sales and positive revenue over $4 billion. In 2014 T-Mobile was successful in shutting out AT&T subsidiary from trying to use a similar magenta colour by trademarking theirs— feisty true colours.
Pretty in Pink
Associating baby boys with blue and baby girls with pink is a relatively new trend, says Jo B. Paoletti, author of Pink and Blue: Telling the Girls From the Boys in America. She told the gender-code between pink and blue was firmly drawn in western societies in the early 1980s thanks to branding and marketers such as Care Bear, Barbie, Hello Kitty, and many Disney princesses. Pink became the leading colour to define pretty little girl’s materialistic world of glitter and fairy tales.
In 2011, Forbes reported that the Disney Princess franchise made $1.6 billion (U.S.) in North American retail sales and $3 billion globally. They were making it the best-seller beating Star Wars, Sesame Street and superheroes. Pink colour branding power prevails.
The colour pink doesn’t stop with infants and young girls. Victoria Secret has successfully used the colour pink for over 40 years to build a lingerie empire of over $8 billion U.S. (2015) in worldwide sales. In 2002, Victoria Secret introduced the PINK brand to attract high school and college-age girls to purchase causal loungewear a step down from the sexy lingerie.
Post World War II, every home had some sort of pink household products based on targeting women who were entering into the work-force and started drawing a paycheque (thanks to the war). Remember grandma’s pink bathroom complete with pink doilies? As Jennifer Wright says in her article How Pink Became a Color for Girls, if a lady “tells you that her favorite color is “pink!” she might be telling you that she wants to be dainty and demure and stay at home. Or she might just be a badass who’s trying not to scare you too much.” Does this mean that intrinsically women are influenced by pink to some degree due to generational exposure or a desire to be part of something bigger?
The Politics of Pink
The colour pink connotes passive, innocent and girly; however, as an advocacy pink colour branding, it’s fierce and powerful, loaded with pride and strength.
The pink triangle was associated with the gay liberation movement. Still, its original creation was far more evil as it was used by the Nazis to identify homosexual prisoners in concentration camps.
In 1991, the Susan G. Komen Foundation gave pink ribbons to runners in its New York breast cancer survivor race. The following year, the pink ribbon became the official, now-ubiquitous, symbol for Breast Cancer Awareness Month.
In both cases, the pink colour communicates active defiance and empowerment. Many feminist groups have adopted the colour pink as a sign of strength and pride in the mission towards equality and opportunity.
The Breast Cancer Awareness Month is an excellent example of using the gender-coded colour pink to their advantage to promote awareness and increase early detection of breast cancer. Some people would argue that the pinkification of breast cancer has turned a horrible disease into a brand that has been commodified by other brands for their profits. BreastCancer.org estimate that “about 42,170 women in the U.S. are expected to die in 2020 from breast cancer, though death rates have been decreasing since 1989. Women under 50 have experienced larger decreases. These decreases are thought to be the result of treatment advances, earlier detection through screening, and increased awareness.” I wasn’t able to find any awareness statistics on the pink ribbon campaign, but I would guess it would be highest among the many ribbon campaigns that exist today.
For Pink Sake
Then there are those brands that don’t care about the gender-coding or personality traits of the pink colour branding. They just want a colour that will differentiate them from the competition.
Owens-Corning is one of those companies that introduced their Pink Fiberglas insulation into the market over 50 years ago. In 1980 they introduced the Pink Panther as their mascot in all of their marketing to accentuate their pinkness and likable pink personality. Since launching the Pink Panther, customers prefer pink insulation by a ratio of seven to one over the closet competition, as revealed in an Owens-Corning study done in the late 1990s. They were also one of the first companies to trademark their colour against copycats successfully. Mr. Smith, Head of Marketing, says, “We are fortunate. We have a trademark color that is up there with Coke red.” In his dreams!
In 1893, the Financial Times went from a generic white paper newspaper to a shade of salmon-pink, which immediately distinguish it from all the competition. Why pink? It was cheaper to dye it pink than making it white. Today, the opposite is correct, but as readers’ transition to the online version, the colour is more about tradition than attracting attention on a dying newsstand.
Millennial Pink, also known as the Tumblr Pink or Scandinavian Pink (check out Pinterest), is the politically correct colour that has appeared in shades of beige with a touch of blush to a pleasing peach-salmon. This gender-neutral, androgynous colour is growing in popularity since it first appeared in 2012. You can find it in restaurant interiors, furniture, household products, clothing for both men and women, hair tints, drinks, rose-gold iPhones, and Drake’s album cover Hotline Bling, to name a few.
“Millennials are increasingly redefining what it means to be a grown-up in a seriously troubled world,” explains JR Thorpe. “Sometimes, we all want to be soothed — and what better way to do that than looking at Instagrams of a mid-century modern pink velvet settee.” May I suggest that they use the pinky velvet Pepto-Bismol, a better solution to soothe their tummies.
I predict there will be a few digital gender-neutral brands that will be utilizing this colour soon. Two brands that have embraced this restrained colour so far are Acne Studios clothing retailer and Thinx, a period-proof underwear company.
No question, pink is an intense colour to build a brand, but you must understand the connection you are trying to develop with the colour. You can’t ignore the historical gender connection that pink has in defining or promoting femininity (both good and bad). Maybe Millennial Pink will make pink less about gender and more about how it makes you feel. But until then, as hip-hop rapper Talib Kweli said, “women are complex creatures.” I think pink colour branding is just as complex.
However, many brands have successfully broken away from the competitive crowd by pink colour branding, and more new brands will do the same.
Find out how brands use consumers’ fear to influence the buying decision.
Fear is the most visceral and primal emotion. It’s our survival instinct to keep us safe. Emotional fear can break through the mundane noise of life and have a profound, lasting effect on the human psyche. Fear is the most excellent persuader to make us do things and sometimes buy things that hopefully give us peace of mind. People can fear anything from missing out, pain, failure, losing, uncertainty, the unknown, or death.
If fear is the most excellent persuader, it is hard for brands not to use it, especially when it is hard to stand out in this noisy world. Fear has been the principal instrument for religions, politicians, advocacy groups, media, and brands. Without it, brands have little persuasive ability.
Neuroscience has found that our brain is always wired to search and seek safety, moving away from a perceived threat towards a perceived reward. Fear is precisely how the stock market works. For instance, there are five times more threat circuits compared to reward circuits in the brain. In a study, the University of Bath, U.K., found that the fear of failure motivates consumers far more than the promise of success. Dr. Gorkan Ahmetoglu, an occupational psychologist, says that people are more motivated by fear of losing something than the reward of gaining something.
What is Fear?
Fear can be experienced in two forms: physical and emotional.
Fight or flight is our physical response to fear. Where our body either stand its ground or runs for its life. Anxiety comes with sweating, rapid heart rate, and high adrenaline levels.
The emotional response is highly personalized, starting with a chemical reaction in our brain. For every person and situation, the fear factor is different. Some people are adrenaline junkies, thriving on fear-induced experiences like extreme sports or watching scary movies. The net outcome is a fear-induced positive. For others, these situations are avoided at all costs because these fear-inducing experiences are undesirable. It’s through emotional fear that brands try to convert us.
Fear in the Moment
When something scares us, we are on high alert. We quickly focus on the here and now. For instance, you feel your heart pounding in your throat as you fight for air. Precisely what a brand wants you to do — pay attention. It does not guarantee a sale, but hopefully, it gets your brand on their shopping list.
Several research studies done in the 1960s found too little fear wasn’t enough to create an action, and too much fear created a defensive reaction like denial. You have to find the sweet spot.
The relevance is essential. The fear portrayed must be related to the person’s psyche and phobias. If you recently had a heart attack, you will pay attention to every warning/danger concerning your health (i.e. diet, fried foods, smoking), especially if it was the cause of your heart attack. Targeted fear is more effective because your target is ready to listen and is desperate for a solution — your brand’s solution.
There is always a prevailing crisis that captures the world’s imagination through sensationalized news reports and documentaries. The broad topics range from economic catastrophe, environmental annihilation, health epidemics or pandemics, and political upheaval or war. Many brands use these fears to help promote their products or causes. Climate change has been a big one for the last decade. Today, the coronavirus has superseded all other worries. Next will be the economic fall-out and the fear of the unknown.
Micro fears are fears directly related to personal situations and individual psyche. The personality and behavioural profile model DiSC identified four common fears based on its four personality styles: Dominant, Influencing, Steady, and Compliant. Each personality type is motivated by different factors based on environment, heredity, and role models, but their underlining behaviour is influence by fear. In each case, there is a different common fear.
The two most common styles globally are Influence and Steadiness, closely followed by Conscientiousness. More women than men residing in the Influence (32%) and Steady (33%) styles, whereas more men occupy Compliant (30%). Interestingly, more Americans are Dominate (17%) or Influencing and significantly less are Compliant (13%). Of course, these numbers are very black and white. Most of us are a blend of these four styles. For instance, many brands focus on the fear of rejection and the fear of losing security/stability. Nobody wants to miss out.
Many advocacy groups want people to stop deviant behaviour like smoking, alcohol & drug abuse, drinking & driving, gun violence, unsafe sexual practices, animal cruelty and eating disorders. Telling people what they shouldn’t do is hard. Sociologist and author of How Fear WorksFrank Furedi says “…advocacy groups use ‘surveys’ and ‘research,’ rather than the language of good and evil, to claim that a particular problem is getting worse and that unless Something Is Done, it will engulf the whole of society.”
In many cases, the target is foolish young men whose hormones are driving them towards risky behaviour. They don’t listen to anyone, not even their mothers. So why would they listen to a brand commercial or print ad? There is an urgent need to change their behaviour as death rates are highest among 16 to 23-year-old males (until they reach 60 to 70). In most cases, these campaigns try to use fear to knock some sense into these delinquents. Making deviant behaviour uncool is the goal.
While these campaigns win awards, I’m not sure they change behaviour. Don’t get me wrong; these are dangerous situations that deserve serious attention. But is scaring people to death sustainable? Fear mongering has been around longer than I’ve been alive. Religions are notorious for putting the fear of God in sinners. The fear they used years ago wouldn’t be beneficial today unless you are Ali Khamenei, the Supreme Leader of Iran. So far, his ability to perpetuate fear seems to be — unfortunately — sustainable.
Society has become more risk-averse since the advent of helicopter parents. These parents sought to protect their children from everything imaginable from accidental injuries to terrorists, child molesters, sexual predators, drug gangs, and crazy killers lurking in the dark — and now pandemic viruses.
As people age, they become more risk-averse. An Economic Journal study found that regardless of income, wealth, and education, risk appetite falls as investors grow older. Millennials are also showing signs of risk aversion. Transamerica Center for Retirement Studies found that Millennials started saving money for retirement around the age of 24. In contrast, Generation X began at the age of 30, and Baby Boomers didn’t start saving until they were 35.
Barry Glassner, author of The Culture of Fear: Why Americans Are Afraid of the Wrong Things, says, “…most Americans live in what is arguably the safest time and place in human history, and yet fear levels are high…” Top of mind for many Americans is a devastating shooting in a school, mall, church, office, or at a social event.
If we critically look at the evidence, the top fears aren’t killing us like the media and social channels would want us to believe. To put COVID-19 in perspective, 634,000 Americans die of heart disease every year. At the time of writing, over 100,000 Americans have succumbed to COVID-19. My guess would be over 75 percent of the media channels are consumed with Coronavirus fear.
Our lives have become much more comfortable, thanks to technology, government systems, and economic stability, but people are more afraid than ever. Now that COVID-19 has entered the picture, fear is at an all-time high. Brands understand this fear. They are more than willing to show how they can help make your life better for a price.
Like Yin and Yang, there is a positive side to fear. Adrenaline junkies respect and reverence of fear; they see both the challenge and the reward of fear. They thrive on adrenaline by facing fear directly. Extreme sports are all about risk management and controlling fear in a way that isn’t debilitating. In a study published in Health Psychology, researchers found a correlation between extreme sports and transformational changes in confidence and sense of self. But, let’s be real, many of these daredevils die — fear or no fear. However, people, who can embrace their fears and face them head-on are reported to be happier, more stable, and able to handle life’s ups and downs.
Buying Peace of Mind
Fear is what keeps us alive. No shortage of fears exists in consumers’ minds. Brands that get it right tap into the instinct for self-preservation, which, at its core, motivates most of our decisions. Brands need to be there to help consumers survive and flourish.
Fear isn’t a weapon to prey on consumers’ underlining insecurities but more to help them embrace truth. It shouldn’t be condescending, finger-wagging or hopeless. Creating an emotionally distressed state should come with a definite benefit. In many cases, fear only creates a defensiveness reaction of denial, anger, disgust, and avoidance. No one benefits from de-moralization except the righteous activist who frightens and morally condemns people’s actions, shaming them into conversion. Consumers need to see a better future with courage, trust, hope, love, and solidarity. Healthy fear creates attention and breaks through the noise, but it must come with a sustainable solution. As British philosopher, Bertrand Russell once said, “To conquer fear is the beginning of wisdom.”
Fear can be the starting point of a great brand relationship. Show them how your brand can help with practical information and resources, not just scare them to death.
Do you remember the cool kids in school? They always made witty comments with perfect timing. They always had the right clothes and the right look. Cook kids seemed years ahead of us! We envied them and tried to be like them. We were either in or out of fashion. Likewise, some brands have it, and some don’t. What is the cool factor? How does a brand get an “OMG that’s soooo cool!!!” reaction?
While coolness is an intangible and elusive concept, being a cool brand is lucrative. It means enormous economic profits based on premium pricing, insatiable demand, and image enhancement beyond your control. It can also be a significant barrier for any competitor. Researcher and blogger Harsh Verma wrote, “Cool is a scarce resource capable of bringing about value transformation.” Stephen Cheliotis, chairman of the Cool Brands Council, says that innovation, originality, authenticity, and desirability makes a brand cool.
Other experts say that cool brands only matter to people who tie their identity directly to that product. To build this identity a community aspect of interact with the brand is required. It’s easy to understand how high tech (Tesla, Apple, Google, Samsung, Sony) and luxury brands (Gucci, Rolex, Prada, Tiffany) become cool, but how do everyday products like deodorant, underwear, shoes, food, or other mundane products become cool?
What is Cool?
Wikipedia defines cool as a word often used to express admiration or approval. The term became popular in the late 1940s by Black American jazz musicians, who were cool cats.
Things or practices labelled cool to mean superlative, excellent, exclusive, exceptional, original, unique, rare, exciting, and desirable. Like all things we want to know, we put questions like this through a rigorous scientific evaluation. But what exactly is cool?
Alan Tapp and Sara Bird,in their research paper(2008), defined cool as “the best [word] to describe that elusive, exclusive quality that makes behaviours, objects so hip, desirable and symbolic of ‘being in the know.’”
Clive Nancarrowand Julie Page defined cool in the Journal of Consumer Behaviour as a laid back, narcissistic, and hedonistic attitude and as a form of insider knowledge. In true cult-fashion, everyone wants a piece of your brand until it becomes uncool. Cool isn’t for the masses; it needs to have a distinctiveness and restricted access to keep its cool factor.
According to a Datamonitor (2005) report, the perceptions of cool vary by age. While young consumers often mimic celebrities who are cool, most teenagers and adults view cool as a means to express their individualism. Older customers were found to see cool as synonymous with quality.
The two studies identified ten major cool characteristics. I took the liberty of mashing the insights together and created some symmetry in their outcomes to develop a coolness brand wheel. Hit all ten features, and your brand will be so cool that Oprah Winfrey would need to put it on her “Favorite Things List.”
Cool Brand Wheel
In essence, the Cool Brand Wheel perfectly explains the coolness factors as behavioural, state of mind, aesthetic, social distinction and appropriately autonomous. Coolness can turn a ‘want’ into a ‘need.’
Here are the ten cool factors:
Branding legends Jack Trout and Al Ries said that consumers shop primarily by categories. People can only remember a few brands per category. The goal is to be at the top of that list. Once the category list is full–it’s done. A company can only break that full list if they develop a new, unique category.
Cool brands are either at the top of the list or in a category on their own. They lead and create the category. For example, there are numerous automobile brands, but the most successful ones have built their brand on a unique category (i.e., safety, luxury, speed, quality, etc.). Tesla has recently marketed itself as the electric car company; they created a brand new category. While other well-known automobile companies have electric cars, they don’t own the new category, Tesla does. Being the first in a category helps the brand be unique, distinctive, and autonomous, making them cool.
Caleb Warren and Margaret C. Campbell published a paper in the Journal of Consumer Research on how autonomy influences coolness. They concluded that “coolness was a subjective, socially constructed positive trait attributed to cultural objects (like brands) perceived to be appropriately autonomous.” Note the word ‘appropriately.’ What they found was that the degree of autonomy was significant. They needed to create a sufficient divergence from the norm.
Apple was initially highly autonomous due to its obscurity and association with the graphic design community. They allied themselves with powerful graphic software like PageMaker, Photoshop, Illustrator, QuarkXPress, and Adobe. According to Columnist Charles Pillar, the famous 1984 ad help portray Apple as a symbol of the counterculture: rebellious, free-thinking and creative. Apple became synonymous with desktop publishing, photography, creativity, and design industries.
Over time, Apple continued to redefine itself and its marketplace. While Apple didn’t invent the MP3 player, the smartphone, the smartwatch or the tablet, they made the best products. These innovations also made them cool. Apple designer Jonathan Ive said, “Our goals are very simple—to design and make better products. If we can’t make something that is better, we won’t do it.”
Apple has positioned itself as a brand that thinks differently and stands out. To emphasize being autonomous, Apple has purposely associated itself with independent rebels and artists such as Picasso, Einstein, Nelson Mandela, and Mark Twain.
Brands must be authentically autonomous; otherwise, be perceived as arrogant. Tesla owner Elon Musk has faced this problem. To be authentic, a brand needs to have a unique story and reason behind their brand. A brand needs to be true to its heritage, deliver at every customer touchpoint and walk the talk. To be cool, a brand needs to follow its path, regardless of the norms, beliefs, or expectations of others.
In a world where we have a hard time concentrating, brand memorability is a challenge. Havas (2018) found that brand campaigns have a direct impact on consumer behaviour only after 60 days have passed. What they discovered was that memorable campaigns had a higher chance of recall after 60 days. Nigel Hughes, managing director of Havas, said, “There is a significant gap between being aware of a campaign and remembering it. With so many channels broadcasting, respondents are initially aware of many campaigns, but they don’t remember the messages…” The stickiness of the message is just as important as awareness.
There are many ways to make your brand memorable or sticky. If humour fits your brand personality, it can be beneficial. Old Spice understood the importance of entertaining their customers. They took an old brand and “Swaggerized Their Brand” into one of the top brands in its category. Landor, a leading brand consult and design company, said, “Old Spice’s business has grown by double digits every year since the new positioning went to market.” For more on using humour, check out this blog post.
Pulling consumers’ heartstrings can also attract massive views and social engagement. Every holiday season, airline companies, department stores, and tech companies try to bring out the holiday spirit, hoping to transfer the warmth onto their brand. But, be careful, too much love isn’t cool.
Being offbeat and edgy can also get a brand noticed. Including being rebellious, risky, and controversial. Taking this direction can quickly fortify a stronger bond between a brand and consumers but can also repel a portion of consumers. Nike’s support of Colin Kaepernick’s racial injustice cause is a case in point. As their ad said, “Believe in something. Even if it means sacrificing everything. Just do it.”
People are attracted to beautiful aesthetics and expensive things. Highly exclusive and costly brands are historically cool. Diamonds have continuously been cool. Just ask my wife.
In contrast to today’s crazy world, simple, sleek, modern designs seem to elevate the consumer’s senses. Found in functional, sound, touch, and visual manifestations. Apple has perfected a clean and minimalistic design in all of its products, including packaging and advertising. As Dan Frommer said, “Apple products are cool because you don’t have to figure out how they work—they are natural and human.”
Paying a hefty price of entry shouldn’t create buyer’s remorse but a belonging that should continue to keep giving. Extra attention to the details and the little things make a brand stay cool.
Brands that ‘do good’ are not a new concept. But its popularity has increased among Millennials. Millennials have become socially conscious; they buy brands that demonstrate their commitment to changing the world. The extreme weather conditions and devastating consequences of climate change have created a highly-sensitive consumer base that appreciates corporate social engagement. Caring for our planet and humanity is becoming an integral part of a brand’s business strategy as they actively engage in communities and social and environmental causes.
For example, TOMS started as a shoe company with a one-for-one promise: for every pair of shoes purchased, a pair was donated to needy children. Today, other brands have expanded into one-for-one spectacles that provide ophthalmic treatment to the needy; one-for-one coffee where each cup sold provides clean water to the poor; and one-for-one bags that help save lives of birthing mothers and their newborns in developing countries. Very cool!
Patagonia scores big in this area as an environmentally and socially responsible company. Their mission statement clearly states, “Build the best product, cause no unnecessary harm, use business to inspire and implement solutions to the environmental crisis.”
According to the Ueber-Brands concept, there is a precarious balance between longing and belonging. While the goal is to acquire as many customers as possible to maximize profits, you must be careful to balance inclusiveness with exclusivity. To be cool, you always need the admirer, desirer, and dreamers to be part of your tribe. Brands that build healthy communities help the brand to evolve and also fulfill peoples’ needs.
Remember the day when it was cool to wear white iPod earphones. Now, it’s the white earbuds. I’m not sure if this qualifies as being cool today. But Apple has sold over 2 billion iPhones & iPads since 2007. They continue to introduce a new model every couple of years to create exclusivity and to keep their loyal tribe happy and wanting more. And they have a huge tribe.
There is something special about being part of an exclusive club. Harley-Davidson motorcycles understood the idea of building a community by setting up the Harley Owners Group H.O.G. across North America. Chapters popped up everywhere, and the company started sponsoring rallies, showcase new motorcycles. It was a win-win. The cult-like Harley Nation formed with over half a million participants. “I’m very into the Harley myth,” says Alvin LaSalle, a 63 electrical contractor from California. To prove it, he proudly displays Harley’s trademark wings tattooed on his arm. The Hell’s Angels are loyal fans, who supposedly use the Harley owners’ manual as a bible at wedding ceremonies. Their challenge today is to make the H.O.G. cooler for Millennials whose parents are still driving them.
Reflecting on the past and reinventing oneself in a familiar, but unconventional way accentuates coolness. Many of the world’s luxury brands like Louis Vuitton, Chanel, Hermes, Gucci, Cartier, and Tiffany perpetuate themselves by highlighting their history and craftsmanship. It’s never wrong to remind your customers what you stand for.
History legitimizes the core brand values and how they became who they are today. Standing still isn’t an option. Brands must continue to evolve while maintaining their ultimate goal of surpassing customers’ expectations.
Classically cool individuals stay away from trends, and so do trendy brands. It can be essential to remain true to your roots and keep the course. Timeless brands are consistent in look and style. Coca-Cola is an excellent sample of a brand true to its roots with decades of steadfast positioning and looks. However, the brand isn’t entirely unchanging. The brand must be continuously tweaked over time without fanfare. Being discrete and real is also cool.
In connection with being authentic, cool brands must also be contemporary, which means always reinventing itself in a progressive, natural fashion that strongly ties back to the brand’s purpose and vision. Apple is a master of morphing from iMac to iPod, iPad, iPhone, and Apple Watch. What’s next? The autonomous iCar?
Old Spice is a compelling case in point. It had been around for over 70 years and was starting to become an older man’s product. It wasn’t on my shopping list, but it was on my dad’s. In 2010 that all changed when they launched one of the most successful rebrands with the “Old Spice Guy.”
They spiced up the product line and attracted a new customer-base; now their product is very cool. There is a fine line between timeless and contemporary, but Old Spice navigated the waters with skill.
Back in the 1970s, their slogan was “Mark of a Man” and targeted dads and grandfathers. Today, their focus is on young men with the slogan “The original. If your grandfather hadn’t worn it, you wouldn’t exist.” The nautical theme is still present, but the colonial sailing ship is now a racing sailboat. The packaging has also evolved. Initially, the bottle was clay (something you would find on a sailing vessel in the 1930s), then it became a cream-coloured glass bottle that mimicked pottery design; finally, it evolved into a plastic bottle.
The fundamentals of the Old Spice brand remain the same: nautical theme, cream colour bottle, and red top. What’s different is its coolness.
Cool brands march to their own drum.
Recognize these names: “Cherry Garica, Chucky Monkey, Phish Food, The Tonight Dough, and Americone Dream?”
These are Ben & Jerry’s ice cream flavours. Two Vermont boys, Ben Cohen and JerryGreenfield ignored conventional wisdom and built an ice cream business worth $326 million (Price sold to Unilever in 2000). Here are some of the unconventional ways they created the brand:
Instead of using venture capital to expand their business, they sold shares door-to-door shares ($126 each). They raised $750,000 for their first expansion efforts.
When Pillsbury (owners of Haagen-Dazs) was discouraging vendors from selling Ben & Jerry’s ice cream, they retaliated with an ad campaign, “What’s the Doughboy Afraid Of?”
Back in 1988, their three missions were progressive:
make fantastic ice cream
build sustainable growth by respecting the Earth & Environment
make the world a better place.
As the franchise development manager for Ben & Jerry’s, Eric Thomas said, “You really can change the world through ice cream.” One cool scoop at a time.
Harvard Business School professor Gerald Zaltman says that 95 percent of our purchase making decisions take place in the subconscious mind, a place where emotions are king. Activating an emotional connection can be very beneficial, but you will not connect with everyone. You must clearly understand your customers’ needs and wants to communicate at this level. If you join, the risk will be well worth the effort. If you don’t, you’ll have egg on your face.
Pepsi’s Kendall Jenner protest commercial was a great example. Somehow, the public couldn’t buy the concept that Jenner could stop hatred and tension with a can of carbonated sugar.
A cool brand has energy and excitement. I don’t mean loud and always on more like smart and with-it. They don’t just follow current events but make things happen. They are rebels with a cause. They think and act as if the world is their oyster.
Energetic, cool brands also speak to youth. They express their language and engage in the conversations on their terms. Participation is key to building a mutual relationship. Over the last six years, Moosylvania has surveyed Millennials to track their brand preference. Unsurprisingly, top brands always include Apple, Amazon, Nike, Samsung, Target, Wal-Mart, Sony, Microsoft, Google, and Coca Cola. If you look deeper into the list, you will see brands that make them look, feel good, and keep them entertained.
As the iconic David Ogilvy said, “You can’t bore people into buying your product, you can only interest them into buying it.” There needs to be a level of fun and fascination to keep customers engaged with the brand.
Can you think of a cool brand that isn’t fun in one way or another? I can’t.
Another Cool Factor – Sexy
‘Sexy’ doesn’t fit easily onto the Cool Brand Wheel, but it can be a powerful branding tool. Sexy is a primal instinct: a sensual attraction, excitement, or even ecstasy. ‘Sexy’ branding can be a risky business.
Bad-boy brands like AXE, Calvin Klein, Abercrombie & Fitch, and Playboy built a tribe based on selling sex, and all of them were super cool at one point. Sexy people are notorious for making brands cool like Kim Kardashian, Paris Hilton, Marky Mark Wahlberg, Jenna Jameson, Justin Bieber, and several Victoria Secret models.
While sex and sexy can attract attention and help create coolness, they aren’t a sustainable factor. Other factors of the Cool Brand Wheel must be present. Overtime, sexy can also hurt a brand when people only remember attractive bodies and not the brand.
The cool brand wheel is a great way to move a brand from functionality to coolness. A product is a collection of attributes. A brand is a narrative that people want to embrace and buy, while a cool brand is a mythology, faith, and desire. Cool brands give us meaning. They make us feel happy and proud. They make us cool.
Coolness must seem effortless, not forced or manipulated. It isn’t just a smart or sexy advertising campaign. Many cool brands’ origins are associated with being non-mainstream, controversial or sub-cultural, almost cult-like. Growing into a massive brand or becoming part of a multinational enterprise can easily affect the coolness factor.
Cultural shifts and demographics shifts can have a significant impact on what defines coolness. There was a day that cigarettes, especially Marlboro, were sexy and cool. Remember the Hummer vehicle? Also known as the gas guzzler. Then there was Krispy Kreme, the cult-like doughnuts. As one customer said, “Fresh Krispy Kreme is the food of the gods.” What happened to the once cool brands of Gap, MTV, Nokia, Dr. Martens, and Playboy? They failed to stay cool.
Cool brands aren’t built; they are cultivated. Customers determine if a brand is cool. A brand can continue to emulate coolness if they carefully balance the ten cool factors and stay in the lead by turning customer’s wants into needs. The benefits of being a cool brand are enormous: fame and fortunes beyond your control. Be cool.
Many successful brands have built their brand equity on the backs of animals. Figuratively speaking, no PETA protest required. It’s a known fact that cute and lovably animals can help sell brands. Real animals and anthropomorphic animals can make a brand likable and memorable – two important brand drivers.
Sixty-eight percent of American Households Have a Pet
There are three-times more dogs and cats in the USA than people in Canada – 90 million dogs and 94 million cats, respectively. In Canada, the same trend exists with approximately 8 million cats and 6 million dogs (Ipsos Reid). Does this mean cats are the preferred pet? My Facebook stream would indicate that cats rule the world. But dogs aren’t too far behind. Actually, more brands use dogs than cats in their branding efforts.
The Power of Animals
A UK research study found that fifteen percent of people care more about their pets than their significant others. There is a special bond between animals and humans. Dr. Ann Berger says this “is part of our evolution, and it’s very powerful.”
This bond can be traced back as 15,000 to 30,000 years ago to a Bonn-Oberkassel dog that was found buried with two humans.
In the early 1970s the term ‘human–animal bond’ was first used in academia. Since then, there have been a multitude of research studies indicating the positive benefits of pets such as lowering blood pressure, heart rate, and stress-related hormones. Lower stress has positive health effects and helps us live longer. Even an aquarium of fish can help calm a person with advanced Alzheimer’s disease (Edwards and Beck, 2002; Edwards et al., 2014).
Walt Disney understood that animals attract an audience. One of his first successes was the lovable Mickey Mouse who became synonymous with the Disney brand. Mickey Mouse brought Disney great fame and a fortune worth over $5 billion. Walt was obsessed with making his animated animal characters more realistic with human-like facial expressions, movements, and feelings. He pushed animators and technology to their limits. Charlotte Olsen in her article Disney Movies: Anthropomorphism concludes that “humans empathise [sic] with animals perhaps more so than we do with humans.” We all grew-up on a staple of Disney anthropomorphic animal characters every morning like Mickey and Minnie Mouse, Donald and Daisy Duck, Goofy and Mickey’s pet dog Pluto, to name a few. Then there were the endless movies.
Brands hope to transfer our love of animals to not so loveable products.
A Brand’s Best Friend
People young and old love animals. Cute and innocence sells.
Four of the biggest cereal companies built their brands on animal characters. We grew up staring at cereal boxes prominently showing Cornelius Rooster on the Kellogg’s Corn Flakes, Tony The Tiger on Kellogg’s Frosted Flakes, Toucan Sam on Froot Loops and BuzzBee on Honey Nut Cheerios.
The breakfast cereal market was worth over $37 billionUS dollars in 2016 with Kellogg’s brands and General Mills accounting for over 60% of the market. How did these anthropomorphic animals end up on millions of cereal boxes?
Cornelius seems like a natural fit as a rooster, crowing as you eat breakfast at the break of dawn. But, John Harvey Kellogg, a devote Seventh-day Adventist, was working on a number of strict vegetarian recipes that lead him to discover Corn Flakes in 1894. It was his intent as a religious man to reduce dyspepsia and masturbation with this new product. I am not sure how successful he was with his plan, but his brother formed the Kellogg Company in 1906 with Corn Flakes. Cornelius didn’t appear on the box until the early 1950s. After learning this history of Corn Flakes, a cockerel on the cereal book now has a very different connotation.
In 1952, Kellogg’s introduced Sugar Frosted Flakes of Corn. There were four different boxes with four different anthropomorphic animal characters: Katy the Kangaroo, Elmo the Elephant, Newt the Gnu, and of course Tony the Tiger. It wasn’t long before Tony became synonymous with the brand by advocating its GR-R-REATness.
Another Kellogg’s brand, Froot Loops, debuted in 1963 with Sam the Toucan, a tropical bird with a long colourful beak. The original colours on the beak used to represent the three different coloured flavours in the box. When first sold, the brand was called Fruit Loops but after a legal challenge claiming that the word “fruit” was misleading they landed on “Froot.”
Honey Nut Cheerios is a variation on the very popular Cheerios brand that was introduced by the General Mills Cereal Company in 1979. The sweeter version of Cheerios became an instant success. For the first twenty years, the bee on the box just keep buzzing around without a name. In September 1999, General Mills launched the “Name the Honey Nut Cheerios Bee Contest” where 11-year-old Kristine Tong won the contest with the name “BuzzBee”.
In 2017, with declining sales, the brand launched a highly emotional campaign called “Help Bring Back the Bees” by removing Buzz the Bee off the Honey Nut Cheerios box. In their haste to save honeybees, they accidently included invasive seeds in their bee-friendly wildflower seed packets. Attention to detail is always important.
Nonetheless, the famous Leo Burnett and his agency created some of the most icon anthropomorphic animal brand characters like Tony The Tiger (Kellogg’s), Hubert the Lion (Harris Bank), Morris the Cat (9Lives), Charlie the Tuna (StarKist), and Toucan Sam (Kellogg’s).
Animals Don’t Bite the Hand That Feeds Them
The benefits of using an animal to build a brand are multifaceted. Not only can you control how the animal is portrayed, you can modify it at any time. Of course, cartoon animals are the easiest to manage over time. Animals are cheaper and easier to keep on a leash than any actor or celebrity. Unless you were Grumpy Cat, who is estimated to have earned millions. Animals can also help low-involvement product brands get noticed like insulation (pink panther), toilet paper (kittens, puppies, and bears) and sugar water (polar bears).
Using real animals does possess some challenges. Animals may not follow orders and have shorter life spans, but in most cases these problems don’t stop the brand from finding a look-alike. There is never any risk that the animal character is going to embarrass the brand at a party or in public unless it’s a mascot.
One immediate benefit of animals is that they have existing cultural meanings. These characteristics can quickly be transfer onto the brand as a benefit or attribute. Animals can telegraph a specific message without using any words. For example, the eagle portraits honesty and trust, the rabbit symbolizes fertility and approachability. The owl stands for wisdom, bees imply diligence, and the lion, the king of the jungle, suggests strength and courage.
Brands Gone to the Dogs
Several studies (Spears, Mowen, Chakraborty (1996), Moyers (2001), S. M. Stone (2014)) have analyzed the types of animals use in advertising and branding. They found that dogs were the most popular animal. Karen London, PhD says, “In recent years, dogs have appeared in about a third of all television commercials.” Man’s best friend portrays a feeling of a happy, well-balance family and unconditional acceptance. Dog lovers are all about building companionship. Many brands use dogs to project fun, love and loyalty.
One of the first brands to use a dog in its brand identity was Gramophone Company. Their logo design was taken from a painting of a dog listening to a phonograph by Francis Barraud in the late 1800s. The story goes that Francis’s brother died and willed him his phonograph player, records, including voice recordings of his brother, and a fox terrier dog named Nipper. Every time he played his brother’s recorded voice the dog would run over to the phonograph and listen intently. A true Hallmark moment.
The painting was called “His Master’s Voice.” About eight years later they changed their name to HMV. Later, the Victor Talking Machine Company acquired the graphic design. In 1929, Radio Corporation of America RCA acquired Victor and made the logo their brand. For many decades Nipper and his son Clipper helped promote RCA records, RCA televisions and RCA electronics. At one point in time the RCA dog became one of the Top Ten Famous Brands.
Several memorable Super Bowl commercials can thank a fury four-legged friend for their success. Skechers, Budweiser, Amazon Alexa, Bud Light, Taco Bell, Doritos, and Volkswagen all secured their success with a dog. Rob Schutz, past VP of Growth at Bark & Co., says a social media suave dog can fetch anywhere from $2,000 to $10,000 per sponsored post on Instagram. “All sorts of brands want to tap into dogs,” says Schutz. Go fetch!
But the funniest animal commercial on Super Bowl XXXIV (2000) was a cat commercial called “Cat Herders” by Electronic Data Systems EDS. The following year they did another spot called “Running with Squirrels.” I’m not sure rats with long bushy-tails had the same charm.
Cat Paw-sitive Branding
There are dog people and cat people. According to a studyby Denise Guastello, an associate professor of psychology at Carroll University, people who said they are dog lovers are more outgoing, energetic, and tend to follow rules. Cat lovers are more subdued, introverted, open-minded and just more sensitive. They also score higher on intelligence. Guastello rationalize that “if you’re more introverted, and sensitive, maybe you’re more at home reading a book, and your cat doesn’t need to go outside for a walk.” Cat lovers are more interested in the affection their feline’s exhibit. In a study by Budge, Spicer, Jones and St. George (1996) they concluded that “men with a cat were considered nicer, more stylish, and more active than if they had a dog.”
The most famous brand cat was Morris The Cat who built the 9Lives cat food franchise of over 50 years. Morris made his debut in 1968 after he was discovered at the Humane Society in Hinsdale, IL. The orange tabby cat had the right attitude and starred in over 50 9Lives commercials, including several Super Bowl appearances. In 1983, Time Magazine declared Morris “The Feline Burt Reynolds”. US Magazine called Morris the “Animal Star of the Year” (1982-84). He is also credited with “writing” three books on cat care. Over the years, this finicky cat food connoisseur has downplayed his negative attitude to reach the new millennial customer with a more “charmingly choosy” attitude. Not surprisingly, this cat is on all the social media channels. Morris was played by at least three different tabby cats or maybe more.
ReelSEO.com has reported that there are over two million cat videos on YouTube generating over 25 billion views. Sorry dog lovers but cats rule the social channels. For example, the keyboard cat video has garnered over 55 million views and over 87 thousand comments. CNN estimated that there is over 6.5 billion cat pictures on the internet. Cats will outsmart dogs every time!
The most famous cat of them all was Grumpy Cat (also known as Tardar Sauce) who stared in a Christmas movie called Worst Christmas Ever. This popular internet meme has also appeared on MTV Music Awards, The Playboy Morning Show, and American Idol. We all know that Grumpy isn’t really grumpy, but we have projected a human emotion onto the animal. Their passiveness allows us to put words in their mouth. What does this have to do with branding? In 2013 Grumppuccino was launched by Grenade Beverage, a California coffee company, with the Grump Cat’s face plastered on every bottle.
In 2018, Grump Cat was awarded $710,000 in damages from Grenade Beverages who breached Grunpy Cat’s copyright by adding another product Grump Cat Roasted Coffee in 2015. Grenade Beverages must be grumpier.
On May 14, 2019, Grumpy Cat passed away, but her valuable brand still lives on. Over 800 different merchandise items are still available for sale online with Grump’s face on shirts, mugs, cell phone covers, shoes, posters, etc. She has also been immortalized as a wax figure at Madame Tussauds in London, San Francisco, and Washington DC.
Grump Cat isn’t the only celebrity cat online. There is a clowder of famous cats online like Lil Bub, Nala Cat, Cooper the Photographer Cat, and Colonel Meow, to list a few. If a brand can cash in on animal marketing, the brand would be a fat cat!
The Animal Kingdom of Brands
One of the first cigarette brands launched in 1913 by R.J. Reynolds Company was Camel cigarettes with a camel front and center on the pack, a palm tree and a pyramid in the background. Not the most lovable image or animal. No. They were going after exotic. The camel emphasized “Turkish blend” and the pyramid signaled Egyptian sophistication of 6,000 years of history and culture. At that time archaeologist were busy raiding the tomes of pharaohs.
Before launching, R.J. Reynolds tried to create an alliance with the other local tobacco manufactures to control competition in the specialty cigarettes market, but the US Supreme Court ruled the agreement was illegal. When the teaser campaign “The Camels are coming!” was launched, it was considered a joke. But where there was smoke, there was fire. The camel on the cover design was called “Old Joe,” and he quickly became the brand face of the over 425 million packs sold in the first year.
In ten years, Camel cigarettes took control 45% of the US cigarettes market. In December 1952, Reader’s Digest, a best-selling international journal, published a series of articles called “Cancer by the Carton,” dealing with the health risks of smoking. The effect was immediate and cigarette sales declined for the first time in twenty years. In 1958, to help stimulate sales, R.J. Reynolds decided to revamp the Camel package design by removing the pyramid behind Old Joe. There was a strong negative backlash by Camel smokers. Where have we heard this before?
By 1970, Camel cigarettes was no longer one of the top five most popular cigarettes brands which were Winston, Pall Mall, Marlboro, Salem, and Kool.
Koolcigarettes were launched in 1933 with Willie the Kool Penguin to help market the new menthol cigarettes. The penguin suggested “cold” to promote the cool sensation of the menthol. By the early 1960s Willie was put on ice and retired from representing the Kool brand.
On the 75th anniversary of Camel cigarettes, Joe Camel, an anthropomorphic camel, was introduced to celebrate Old Joe’s birthday – “75 years and still smokin’!” Joe Camel was such a hit that he took center stage as the “smooth character.” Critics said that Joe’s exaggerated nose was a phallic symbol to suggest smoking is a virile pursuit. Actual scientific fact would differ with this suggestion.
Joe Camel gave the brand a huge lift in sales as a cooler, hipper brand, especial among younger male smokers. It also started attracting the attention of anti-smoking activists who were growing in power every day. On July 11, 1997, The New York Times ran the following headline “Joe Camel, a Giant in Tobacco Marketing, Is Dead at 23.” After only nine years Joe Camel character was proactively pulled from Camel cigarettes marketing. President Clinton was quoted as saying ”We must put tobacco ads like Joe Camel out of our children’s reach forever.” Proof that lovable animals can endear a brand and sell even butts.
A Brand Personality Starts with a Lovable Animal
Animals have successfully helped many brands standout. Planosophyblog said, “Brands are metaphors for inanimate products and intangible services. Animals are living breathing metaphors. Their marriage is one of common sense.” These brand advocates range from pets, farm animals, wild beasts, geckos, and sea life. They have enriched our lives and have become ingrained in our physic like Disney characters. There is an innate positive and hopeful feeling that animals portray with unconditional love. They touch our inner innocence and create a warm, comforting smiles that no human could emulate. They are a powerful ally, if used correctly.